THE ILLUSION OF "I"

 

The Illusion of "I"........

Advait, scrolling through his phone, suddenly let out a frustrated sigh. Aditi, who was sitting relaxed in the living room, looked up. "What happened?" she asked, concerned. "This guy on social media," Advait grumbled, showing her the screen. "He's saying that vada pav is overrated and pav bhaji is the real king of Mumbai street food. Can you believe it?" Aditi chuckled. "Well, everyone has their own preferences, Advait." But Advait was already worked up. "It's not just a preference, Aditi! It's like he's attacking our city's identity! Vada pav is a classic, it's iconic. How can he even compare it to pav bhaji?" His voice had risen, a touch of defensiveness creeping in.

Aditi gently closed the book she was reading and said, "Advait, he's just sharing his opinion about food. It doesn't diminish your love for vada pav, does it? Or the fact that so many people in Mumbai enjoy it?" Advait frowned. "But it's just... wrong!" he insisted. Aditi smiled softly. "See, that's your ego talking. You're taking his comment personally, as if he's criticizing you for liking vada pav. But he's not. He just has a different taste. Your ego confuses opinions with facts, and then it feels the need to defend itself, even when there's nothing to defend."

Later that day, they were stuck in typical Bombay traffic. A car abruptly cut in front of them, nearly causing a fender bender. Advait instinctively honked loudly, slammed his hand on the dashboard, and muttered angrily, "What an idiot! Don't these people know how to drive? This is why traffic is so bad!" Aditi calmly said, "Maybe they're in a hurry, Advait. Let it go." Advait retorted, "Why should I? They can't just drive like that! It's so inconsiderate and dangerous." Aditi sighed. "Again, you're focusing on your reaction – your anger and frustration – instead of just acknowledging what happened. The car cut in front of us; that's the fact. Your anger is your response to it. Your ego cannot tell the difference between the event and its reaction to that event. It takes everything personally, as if that driver intentionally set out to annoy you."

The next morning, Advait was reading the newspaper over his chai. Suddenly, he slammed it down. "Can you believe this?" he exclaimed, pointing to a headline about a local politician involved in a corruption scandal. "Another one! These idiots are ruining our country, our city! They have no shame, no morals! It makes my blood boil!" He was visibly agitated, shaking his head in disgust, feeling a deep sense of betrayal and anger, as if the politician had personally wronged him. Aditi, seeing his distress, gently put her hand on his arm. "It's certainly frustrating, Advait, and corruption is a serious issue. But notice how you're reacting. The news is a fact – the politician is accused of corruption. Your intense anger and feeling of personal violation, that's your ego's interpretation. It's taking the abstract idea of 'our country' and 'our values' and making it a personal attack on you. The truth of the situation, the facts of the corruption, don't need your anger to be true. Your anger is just your own emotional response."

Advait finally started to see her point. Whether it was a trivial comment about food, a rude driver, or frustrating news about corrupt politicians, his immediate response was often fueled by a sense of personal offence. He was so caught up in his own viewpoint, infused with a sense of "I," that he couldn't see the situation objectively. His ego was a master of selective perception and distorted interpretation, always ready to jump to the conclusion that something was directed at him or was fundamentally "wrong" if it didn't align with his internal narrative. 

Aditi's gentle reminders helped him realize that most of the time, these external events weren't personal attacks, but simply things happening. His awareness, not his overthinking, began to create a crucial space between the event and his emotional response. He learned to observe: "There is the situation, and here is the anger I feel about it." This simple act of observation allowed him to see that there were other ways of approaching situations, other ways of seeing them and dealing with them, leading to a calmer, more rational perspective. Slowly Advait was trying to come out of THE ILLUSION OF "I"..........

THE BOMBAY LOCAL LOVE STORY

 

The Bombay Local Love Story........

 

Every morning on the busy Bombay local, something quietly magical was happening.

Advait, a shy South Bombay guy, always had his nose buried in a book or a newspaper, even with people squished around him. Aditi, full of life and chatty, was from the suburbs and studying engineering. Their paths crossed every day—usually at Dadar station. He always managed a window seat. She often stood in front of him, holding the bar overhead. It wasn’t love at first sight. Not in that sweaty, noisy train. But something soft started growing.

First, they’d steal glances. Then came a smile over a funny headline in his newspaper. On a rainy day, the train stopped suddenly between stations, and the lights went out. In the dark, Advait gestured and offered Aditi his seat and a piece of "thepla" (a type of Indian bread) which his mom had packed. She laughed and took a bite. That tiny moment broke the ice—and made the whole train compartment warm up to them, too.

Soon, their commute became the best part of their day. They talked about everything—college stress, silly Bollywood news, and who sold the best vada pav. Advait, usually quiet, started opening up thanks to Aditi’s cheerful nature. And Aditi, who once thought South Bombay boys were snobby, found Advait sweet and surprisingly funny.

Their chats didn’t stop with the train ride. They’d walk together till the exit, not wanting to say goodbye. Their friends teased them, calling them "train wale lovebirds." Eventually, their dates moved beyond the local train—Marine Drive sunsets, roadside chai, wandering through Colaba lanes. But the train always felt special, like their personal Cupid.

Of course, they had their share of little fights—missed calls, late trains, small misunderstandings. But just like the rhythm of the local, they always found their way back to each other. Through the madness of city life, they found comfort in each other's company.

And now, years later, they’re settled and have a family of their own. But whenever they hear the sound of a local train, it brings a smile. It takes them back to stolen glances, shared theplas, and a quiet love that grew in the heart of Bombay’s chaos.

Their story isn’t flashy. It’s soft, simple—and full of heart. Just like Bombay itself.

 

AAJKAL PAPER PE KAUN LIKHTA HAI

Aajkal paper pe kaun likhta hai.......

"Aajkal paper pe kaun likhta hai?" Anirudh chuckled, watching his father, Advait, carefully jotting down notes in a small, worn notebook. Advait looked up, "Kyaa Papa", a faint smile on his face. "Beta, some habits die hard. And honestly, there's something about paper that digital just can't replace." Anirudh leaned back in his chair, scrolling through his tablet. "But Dad, it's so much faster on a laptop or phone. You can type a whole page in the time it takes you to write a few lines. Plus, it's all saved, searchable, and you don't have to worry about losing a physical notebook."

Anirudh continued, "Think about it, Dad. If I need to find something I wrote last year, a quick search on my computer pulls it up in seconds. No flipping through old diaries. And for work, sharing documents, collaborating with colleagues – it's all instant. Imagine trying to send a handwritten report across the world! Digital is just more efficient, more practical for today's world." He gestured towards his tablet, as if showcasing a marvel.

Advait gently closed his notebook. "Efficiency, yes, I agree. But practicality isn't just about speed, Anirudh. When I write on paper, my thoughts flow differently. It's like my hand connects directly to my brain. There are no notifications popping up, no emails to distract me. Just me, the pen, and the paper. It helps me think clearer, remember better. Even when I make a grocery list on paper, I actually remember what I need, even if I leave the list at home. It's a different kind of engagement."

"And the feel of it," Advait added, running his fingers over the cover of his notebook. "The texture of the paper, the slight resistance of the pen, the smell of fresh ink... it's a sensory experience. It feels more permanent, more real. A handwritten letter feels so much more personal than an email, doesn't it? It shows effort, care. Digital is convenient, yes, but sometimes, convenience comes at the cost of connection, of depth."

"Come beta, I will show you something", saying this Advait walked towards his book rack. Pulling out a few old notebooks he handed them to Anirudh, he turned a few pages and the scent of old paper hit his nostrils. There was something unique about it, much different than the smell of plastic and metal of his tablet. There were letters scribbled on the pages in ink and the hues of blue, black and red were just amazing. The difference in the color of the ink was a sight to see. The not so uniform curves of the letters were so beautiful and eye catching. Anirudh was reminded about his school days, where he used to write in his notebooks. Anirudh's fingers were caressing the wrinkles on the pages and his fingers were sensing the fine fibers of the paper. 

 

Anirudh paused, looking at his father's thoughtful expression. "I guess I never thought about it that way, Dad. For me, it's always been about getting things done quickly. But you're right, there's a certain charm to the old ways. Maybe it's not about one being better than the other, but about what works best for different moments. Still, I'll stick to my keyboard for most things. But I'll keep your point about focus in mind. Maybe I'll try writing down my ideas on paper sometimes, just to see." Advait smiled, nodding. "Exactly. Sometimes, the old ways offer something new."